|
The Szekler-Magyar Runic Scripts
The most disputed point of the Hungarian culture's past is, that, if our forefathers have had any kind of a writing skill of their own. Day by day is proven that our ancestors arrived to the Carpathian Basin as a nation with the knowledge of writing. Most of the elements of the runic scripts were acquired by the Magyars on the eastern lands where they used to rest before the conquest. The shape of the letters were mainly influenced by the fact that the row was heading from right to left. They used the vowels very rarely and when they did they did it only for the long ones. This shows the relation to the Arabic style (Semite writing family...). The Turks extended their empire to the Black Sea, where new nations formed with their lands: the Kaganat Kazaks and the Western Turks. The two (1. & 2.) drawings bellow show us two Turkish runic scripts:
The words "ír (to write)" and "betű (letter)" are of Turkish origin and tell us a lot about the Magyar runic scripts. Hopefully the, these days excavations at Etelköz, Transylvania will prove that our ancestors didn't forget the letters brought from the Kazaks. As later became to our knowledge, in the Carpathian Basin the Avars used one type of a runic script, which alphabet, after the two most significant memories, we call the runic scripts from Nagyszentmiklós, Transylvania and Szarvas, Transylvania. We also know that this writing style is part of the Eastern-European writing families, of which, more and more memories appear from the ancient Kazak Empire's land. There were found objects at Homokmégy-Halom, Hungary from the times of the conqueror Magyars, that show the same type of Eastern-European writing style. In spite of all these there are still a few missing links that would bind the Magyar Runic Scripts with the late Avar era and other Eastern-European memories. These missing links will hopefully appear in the near future... However, maybe we should look for these links between those brick-marks that are to be found on our churches (built around the 11th-12th. centuries...) walls. "I doubt - says Németh Gyula - that if this writing skill's so precious part existed at one of the Magyar tribes the others didn't know of its existence! The Szekler writing style is a generally used writing skill between the pagan Magyars, which was destroyed by the Christianity, but remained between the separately and independent organized Szeklers." Since the runic scripts were kept up between the Szeklers in Transylvania, we call it the Szekler Runic Scripts! Our writing's four letters "a" "e" "o" and " f " for sure, and the two " h " and " l " probably with Slavic intervention is attribute to the Greek alphabet. The fact that the " f " and " h " letters" sign got into the Hungarian language refers to languages that originally didn't have them. Such languages were the Slavic and the Magyar. Long ago the words "fehér (white)" was "fejér". So for example Székesfehérvár, Hungary used to be only Fejérvár. The "a", "e" and "o" vowels' signs were probably loaned, because the original writing style had an other type of system for marking the vowels, or had vowels that were a lot different from the loaned ones. The connection between the "s" and " l " signs, in the Hungarian writing is very significant. As it appears, the "s" sign is coming from the Greek lambda, and the " l " being formed with two dashes added to the "s" sign (more exactly with pointing). The "r" sign is a lot simple and the "z" sign is the added dash to the "r". The "ny" is clearly the combination of the "n" and "j" signs. All this refers to the writing's inside history. The Magyar Runic Script significantly changed between the 10th. and 15th. centuries. First got into connection with the Slavic then with the Latin languages. Our writing's cavalry begun with Christianity. However, the Latin language and its writing style got pressed into the Hungarian only after the Magyars got Christianized. Christians begun to hunt the old pagan writing style. This way the Runic Scripts were pushed behind and begun to decline. We know of orders from Vatican, that said: "...the old Magyar letters (signs) that were running from right to left, used by the Huns, Szeklers and Magyars, must be changed into Latin!...; ...the priests are not allowed to teach the pagan writing, otherwise they will be punished...; ...the in pagan style wrote inscriptions must be destroyed'..." The runic scripts only survived as secret writing, which in fact developed, cause, after all the Latin writing style's influence formed the contracted signs. Such an example would be the Latin word "saint (szent in Hungarian...)", which short form happens to be the "st", that in the runic scripts formed from the contraction of the "s" and " t " signs. The same happened with the "nd", "ck", ...etc. signs. New flourishing times came along into the runic scripts at the beginning of Renaissance and Humanitarian ages, when in noble courts was used for secret letters and other time-spending issues. And perhaps they supplemented the alphabet, which now gives us all a hard time to restore its original form and the exact orthography. With the ending of the Renaissance era, the newly powerful Roman-Catholic church and its conservative leaders slowly pushed our ancestors writing style entirely behind us. The Runic Scripts were kept up for the longest period of time, until the 17th. century, by the Szeklers in Transylvania. The above document shows the Runic Scripts official history, however there are specialist who affirm that the Magyar Runic Scripts aren't going back only to the Turks, but all the way to ancient times, to thousands of years from now! This theory isn't fictitious either, as Forrai Sándor proves in the June 6th. issue of the Hungarian Forum. The next lines are his words: "By the 1100th. anniversary of the country's reoccupation, in the radios, TVs., newspapers, scientific discussions, were shown unreal facts about our ancient history. They mention only of conquering as before our leader Árpád's coming, never lived related nations to the Magyars or their language speaking people, and they mention our chronics as legends, however even by the chronics, Árpád's Magyars came 'back' to the Carpathian Basin since they've been called. It is about time to put an end to those Bach-era type of lies, that were serving only Austrian interests: that Árpád's Magyars were uncivilized and uncultured nomads without any writing skills that ate soften meat from under the saddle, and that they hadn't any clue about fear either. They overwhelmed the west with such lies, and they thought it in the schools, from generations to generations, to blind everyone. The truth is that the Hungarians have such an old writing that is in very tight connection with several ancient writing styles. When, in the Carpathian Basin and especially in Transylvania, there were found literary remnants they cleared it up as they are only about loaned scripts from the Turkish Runic Scripts, and that we have never had ancient writing skills. Hunfalvi Pál, major librarian at that time at the Academy, called the remnants nothing more than a conspiracy. In spite of this, in 1994 I published my works about the Magyar Runic Scripts, with the help of Antológia (Anthology) Publishers, as titled: The ancient Magyar Runic Scripts from the ancient times 'till nowadays. In this book I prove that the history of writing skills has two cradles: with the importance from Mesopotamia and from the Carpathian Basin." The Carpathian Basin's ancient writing culture has a significant role in the history of writings, especially the ancient writing memories from Tordos and Tatárlaka of Transylvania. In 1961, the archeologist N. Vlassa of Cluj/Kolozsvár, Transylvania found at Tatárlaka, in the bottom of a pit full of ashes, 26 small statues made of clay, 2 stone figures, one bracelet of conch, 2 clay boards with drawings on them, and a disc with hieroglyphics. Vlassa realized that the signs are very similar to the Sumerians hieroglyphics from the end of the 4th. millennium BC. The founds raised a significant appearance all over the world because the C14 radio-carbon examination the signs are about 6500 years old, which makes them barely 1000 years younger than the Sumerian writings that were found in the Mesopotamian city of Uruk. The examination showed that the disc was made of local sand and clay, than cooked (baked or burned out...) after the marks were engraved on it. Makkay János, Hungarian archeologist engaged himself to this matter, individually.
The
disc's surface is separated into four meadows by two vertical and one horizontal
diagonals, and each
meadow has its own separate signs... The disc, with its
diagonals, represents one of the Magyar Runic Script's
"
F " sign, which is identical with the ancient form of the "turning
day"... It is remarkable the fact that six of on the
partially
to 4 parts separated disc's surface existing 10 signs, are sharply identical
with the Magyar Runic Script's signs. These are the: " Z, Ny, Gy, B ", above these,
in lying position, the " P ", and the ring is the modified form
of our runic script's " Ly " sign. These signs are also
found in the Sumerian hieroglyphics. The double cross is the Hungarian " Gy ", which in our coat of arm is the
initial of the "Gyula" tribe. In the Sumerian coat of arm, the scepter is the sign of the wooden scepter of the empire; its
meaning is " Pa ". The two coat of arms representation, or historical meaning aren't identical by accident. The other important evidences of
from the Carpathian Basin runic scripts are the by Torma Zsófia found
pottery pieces and clay discs, in 1857, 20Km from Tatárlaka near Tordos,
Transylvania. These discs and pottery pieces (tiles) consist of approximately 11000 pieces and are 4500 years
old. They contain different figures and mostly signs of writing skill, such as runic scripts and linear
scripts. Between these we can find runic signs of letters and numbers, such as the ones found in Tatárlaka, of which more
then 10 are identical even by shape with the Magyar Runic Script's signs. Such signs as the ones from Tordos,
Transylvania were found in the Balkan peninsula, too, in Kara-novo, Sitovo, Vinca, Gardisinca,... These founds are the
straight continuity of the writing culture found in Tordos, Transylvania. Lots of famous historians and
archeologists being occupied with the matter, also, getting to the same results linking to Crete and Mesopotamia. The other cradle of the writings
formation is the ancient Mid-East Mesopotamian writing. The Magyar Runic Script is part of the writing style that evolved from the
Egyptian and the Mesopotamian Sumerian hieroglyphics. The garden of Eden - Ninive, founded by Nimrod the great hunter
- is the scene of many biblical events. The Sumerians were the firsts that established their continuous
thoughts from hieroglyphics into compositions. They expressed their various abstract concepts, inflections and
feelings with ideograms. Since the Sumerian was a conjugative language, just like the Hungarian, they expressed
their suffixes with syllables, that already had the corresponding vowels, too. From these evolved the runic scripts,
then the character writing of which the standing cross alone in the Magyar Runic has the same meaning with the
" D ". The " H " letter evolved from the hieroglyphic fish which happens to be the same in the Hungarian,
too. Its meaning in the Sumerian is " ha " which is similar to the Hungarian "hal (fish)". The Sumerian hieroglyphics extended
equally to the west and east... Towards the west the Egyptian hieroglyphics appeared approximately 4800 years ago because of
Sumerian influence, borrowing its inner structure with the difference that the vowels were missing from the
syllables. All these hieroglyphs weren't anything else then grouped consonants... The Egyptian hieroglyphic writing, at
first, was only for the priests, who systematically engraved the saint signs into stones. The kings and pharaohs
names were written into frames. (fig. 4)
fig. 4
By the English explorer Campbell, one
of the hieroglyphs on the church's wall from the city of Karnack, says: At the time of pharaoh Thotmes the 3rd.'s reign on this
territory were living the "Maghors", too, who fought along with the "Hettitas". As evidence mentions the cities
Arad, Árpád and Maghar. By Campbell, under the name "Maghor" we shall understand Magyar, perhaps
"Magyars of Sabir". This period goes back to 1500 B.C. when the Phoenicians developed the runic scripts (the first letter
writing...) from the Egyptian grouped consonants. In 1914 the orientalist Galánthay Tivadar shows in tables that
the runic scripts evolved from Egypt with special consideration of the links between the Egyptian and Phoenician
runic scripts to the Magyar... Especially the fact that, from all types of runic scripts, the Magyar is the closest
to the Phoenician (50%), which proves that by the Sabir Magyars our nation was there from the very
beginning. Here are some examples that show the
connection between the Egyptian and the Magyar Runic Scripts: " B
" broken and crossed stick, the sign of judgment, in the Magyar
meant "breaking the stick above somebody's head" (idiom still existent in the Hungarian language...). The ruling
stick (scepter), is one of the " J " sign of our runic script. The tress is our runic script's " H " sign. The
standing watering pipe is our script's " CS " sign. The sign for
hurry, to walk is our script's " S " sign. The ring with a dot
is the " RE ", the goddess of Sun is our script's " LY
" transformed sign. " I " is the same in the Magyar,
too... "In my book I show in
separate tables the connection between the Magyar Runic Script and the ancient
civilizations' writing system. We can't show how it spread, but we can give you
few examples of statistical data such as: with the Magyar Runic Scripts there are 24 identical
signs in the Phoenician, 21 in the Etruscan, 19 in the Egyptian, 18 in the
Sumerian, 17 in the Turk. With the help of logically grouped lines the Magyar
Runic Scripts evolved a such a unique script system from the Phoenician basic
scripts that contained separate sign for our every sound. (fig. 6) In (fig. 5) we'll show you its deduction from
the vertical " SZ " sign and its bent transformation to " N ".
fig. 5
And at the end I have to refer to the
fact that our ancient writing being kept by us until today, of which the proofs are those expositions of runic scripts, throughout the
country, in which guest-books we find signatures made in runic scriptures." - says Forrai Sándor.
fig. 6
Important memories of the Magyar Runic Scripts
The golden treasure of Nagyszentmiklós:
It happened in
1799 when this noble man's serf, in Nagyszentmiklós, Hungary while digging a
trench found some gold treasure of unique value. From the 23 pots, one had
Greek writings, one of Turkish language, 14 pieces contain runic scripts, and 8 left empty. Lots of linguists dealt with solving of
the runic scripts. By Csallány Dezső's opinion the runic scripts
are originated
from the Coc-Turks' alphabet, and lots of their signs relation is shown with the
Szekler Runic Scripts. Establishments of Győrffy György
are: the treasure from Nagyszentmiklós is the legacy of the nomadic Turk state and its runic scripts language we have to look up in the
in Hungary spoken languages from the time of kings of Árpád house.
This script is found on the treasures 5
pots. Its explanation and reading by Csallány Dezső is the
following: Sunadians are them = part of the gifts of the Csanád
tribe.
The inscription from Constantinople:
The scene of the scripted
memory is the messengers palace in Istanbul. The messengers of Ulaszló were held back in Istanbul by the sultan Salim the 2nd. Székely Tamás,
one of the messengers, engraved a message about their fate on the messengers' house barn's outside wall. The
messengers house was burned to the ground in 1865, and the inscription destroyed with it. However we are lucky that
in 1553, Dernshwam János, who happened to be there, copied the whole inscription, saving the whole script
from perishing.
fig. 7
The inscription is as follows: "This was written in
fifteen-hundred and fifteen. King László's five messengers were held back in
here. Bilaji Barlabás was here for two years, so far. Székel Tamás wrote
that the Turk emperor Selim just trotted in here with one hundred horses." (fig. 7 is the inscription's first
part)
The alphabet from Nicholsburg:
All we can do is to guess
how did the Szekler alphabet ended up in the Dietrichstein dukes library inside
the to
the Austrian
empire belonged castle of Nicholsburg. In 1930, the dukes library been sold in
Switzerland. The incunabulum that contains the Szekler alphabet on its back
cover, was bought by the Széchényi National Library at the auction in Hazer. The parchment (fig. 8) contains the
following text: "here is the Szekler alphabet that by the Latin text 'Literae Siculorum', contains 47 letters."
fig. 8
The calendar from Marsigli (Marsigli type of calendar):
Nobody ever found the original
piece, but thanks to Luigi Ferdinando Marsigli (1658-1730) Italian
commander who made a copy of it for later times. Marsigli, as commander of
the imperial army, took part in Buda's (Hungary) recapturing, from where than he was moved into Transylvania
where he found an approximately 1.5 meter long wooden stick containing name-days
and to dates connected religious feasts engraved into its four sides. He
copied the scripts onto nine sheets and solved them with the help of an
old man. Than later Marsigli went to Bologna where the calendar was found, too. The scripts show us that the
original piece must have been made around 1450.
The inscription on a church from Énlaka, Transylvania:
The runic inscription that dates
back to 1688 (fig. 9) was found in the 19th. century by the describer of
the Szekler
land Orbán Balázs. The inscription is found on the Unitarian church's
baldachin's plank near Udvarhely, Transylvania. The text's solving is as follows: Georgyius
Musnai - God is only one.
fig. 9
The inscription on a brick in Székelyderzsi:
Before the brick of the small
Unitarian church being destroyed in a fire, the following inscription was
engraved on it by the maker: Miklós organist
The inscription from Gelence, Transylvania:
The following inscription being scratched
onto the Roman-Catholic church's fresco: priest Pál
Memories of runic scripts were also found in the following Szekler villages. The
scripts deciphers were
published in
the 'História' newspaper in 1996 and 1997.
1. The
inscription from the reformed church of Bonyha, Transylvania: Bonyha is a large village situated by
the lower course of the Kis-Küküllő river. The stone that covers the
runic scripts was turned up in 1965 when the church's southern wall
being reconstructed. The engraved scripts were discovered by priest Benczédi Albert, that's why he decided to
place the from under the ground discovered significant stone, into the from the tower counted second
support pillar. The stone is at a very visible place even today, approximately 2 meters above the ground. Though nobody
knows exactly when did that stone end up under ground, we can be sure that it happened before 1794,
because in 1794 the church's most southern wall was demolished and moved even more to the south. And the scripts
couldn't been engraved in 1794 either because than the stone wouldn't get 2 meters under ground into the
foundation. But we know that the original church's construction ended sometimes in 1327. The village Bonyha is
already mentioned in the papal decadal notes
since 1332.
Our guess is that the script's could
have been engraved on the stone sometime around the 14th. century, the 15th. century isn't excluded either. Csallány Dezső also
puts its origin to this date. The total reading of the inscription still belongs to the scientists, however it is very
possible that the inscription isn't the Magyar kind and most likely belongs to another language. By any means we could
connect the " SZ (or R), P, PT " and the legged " S " letters in the inscription's left side to the
Szekler Runic Scripts. The upper right corner's two signs correspondents were found in the Mesopotamian Runic Scripts, but
we also have to think of the classic "delta" letter of the Greek alphabet.
2. Runic scripts of the reformed church from
Berekeresztúr, Transylvania: The first news about the church's
runic scripts from Berekeresztúr (village by the Nyárád/Niraj river...)
were published in 1992 in the newspaper "Népújság"
Marosvásárhely/Tg-Mures. a) The first inscription is found in the church's first
level in the with loopholes provided partitions at the left side of the opening. It is consisted of four scripts and its reading is
happening from right to left: BALG, which is equivalent with the family name BALoG. It's origin kicks back to 1580, and
the reading seams to be just as right as the date. There are also Latin and Hungarian inscriptions seen here...
b) Also
in the with loopholes provided window partition, under the already mentioned
inscription, is another script.
Its reading also happens from right to left and its solving is as follows: B.T.
PALR which is equivalent with
PALéR (foreman
builder). So, the construction worker, or the foreman builder immortalized his
name and
occupation.
c) In
the fall of 1995 new inscriptions of runic scripts were published from
Berekeresztúr. This time there were
found irregular
letters on the second level of the church-tower's northern window partition. The
scripts were
engraved with a
very sharp tool on a rectangular stone.
There are some unusual or unknown contracted letters along with the ones we
know. We have to think again
just like in
the case of the memories from Bonyha, - that the inscription is not part of the
Magyar Runic Script, but
of some other
language,... - or could also mean that there wasn't just one type of a runic
alphabet in Transylvania?!
On the other
hand, on the stone, there were 15 scripts separated. We are aware that the
engravings are very old,
so at the time
of the tower's construction the stone with the script was placed there as a
piece already been used
somewhere
before. The church itself was built in 1385.
3.
The runic scripted rafter from Kibéd, Transylvania:
The
inscription survived on a gunpowder support and originates from the 17th.
century, or from the beginning of
the 18th.
century.
Contains three scratched scripts: two of them are placed in the upper
sun-disc, and are the " A (Á) " and " T "
letters. The
third letter is the " P " which is to be found next to the sun-disc.
This third letter was placed, by the
engraver,
vertically on the rafter's neck. These scripts from the sun-disc could be
monograms, and the " P " could
be the initial
for an object since the people of Kibéd used to call this object as "porszarú,
portartó (gunpowder
support)"
throughout centuries.
4.
The inscription on the wooden cup from Szolokma, Transylvania:
The inscription comes from the end of the 17t. century or from the beginning of
the 18th. century, scratched on
a turned
utensil. So far it is kept in the ethnographic museum in Budapest,
Hungary.
There are three signs on the wooden cup's lower part, on the handle's upper
lateral face. The inscription is to be
read from right
to left, and says: VSB, which is equivalent with the family name "VaS from
VS"; and the first name's
initial "
B " that could be "Béla, Balázs etc..."
5.
The reformed church's written atone from Erdőszentgyörgy, Transylvania:
The inscription with the stone is built into the church's north-western support
pillar. By special literature "...the
tower was built
at the restorations in the thirties of the 18th. century."
We don't have a reading for the scripts, yet...
6.
The two signs on a canteen from Makfalva, Transylvania:
These
two scripts are: the " T " and " R " and are originally from
around the mid 19th. century.
The " T " sign is facing to the right which means that needs to
be read from left. The scripts are probably
monograms.
However there is another important script from Makfalva, from 1624 originated
manuscript.
7.
The into the barn's frame engraved runic scripts from Vadasd, Transylvania:
We were able to to solve two Hungarian monograms (Latin letters...). By the
actual farmer's recall the " CS, K "
letters
covering the name: Császár Károly, who used to be his father's servant. The
" T and J " letters are the
servant's
friend Tóth János's monograms. The actual barn was built in 1920 and the
servants from back then
frequently used
to say that the scratched marks are of ancient runic scripts. So they probably
still remembered the
original "Szekler
alphabet". They wrote their monograms on these old scripts. It is very
likely that the barn's frame's
board is from
the barn that existed before the actual one, and got reused in the new one. We
put the runic scripts
origin to the
mid. 19th. century.
8.
The inscription from Homoródkarácsonyfalva, Transylvania:
It
was discovered at the time of one of the church's renovation, and it is known
from earlier times. However,
even today it
is still a unknown runic script, cause the stone that has the inscription, was
built into the in late gothic
style (1496)
constructed church in a way that the scripts on the stone facing upside down. It
is understandable that
even the
researchers dated the scripts to that time. By now it is certain that the stone
was part of an old demolished
Roman styled
gate and was built into the church's tower only at its remodeling. By conclusion
the scripts were
engraved on the
stone sometime around the 13th. century.
The inscription from Homoródkarácsonyfalva
From about the same time is originated the inscription that was found in
1994 at the place of a demolished
medieval church
in Vargyas, Transylvania. The scripts were engraved on the side of an archaically
shaped
baptizing bowl
around the 13th.-14th. centuries... The inscription's reading is as follows: MiHáLyJ:iRTánKöVeT.
Between the years of 1993 and 1995 was found the monumental inscription of the
reformed church from
Székelydálya,
Transylvania. The 9 meter long and 9 to 22 cm. tall letters were scratched
into the nave's medieval
roughcast. The long and in many parts damaged inscription's solving is the future's duty. The
script's discovering
shows that a
medieval roughcasting could hide remarkable things even if they aren't painted.
The inscription
supposedly
originates from around the year 1400, cause that's when the church been
renovated and the nave's
decoration with
wall-paintings from in- and outside.
Runic inscriptions in the church from Székelydálya
Mixed runic inscriptions were found in two places in Maros/Mures county,
Transylvania. The one from Csejd is
originated from
1681. The one from Bodrok that covers a name by the letter " D " was
engraved into the lintel with
the Szekler
Runic Script.
Today it is found at the entrance of the reformed church.
Also mixed runic inscriptions were found in Berekeresztúr, Transylvania
too. Our first drawing contains the
"HIic Fuit"
inscription... The last letter is identical with the runic script's " T
" sign. The second drawing's second and fourth signs are the " I
" and " M ". The third drawing's second sign is also " I
". In the last two inscriptions some
signs show
their strong runic script character. They are read as: "Hic Fui" and
"Hic Fuit". The first three inscription's
origin is known
for sure: 1619. The last two inscription's origin also belongs to the beginning
of the 17th. century.
Some notifications have to be made though before we close our essay:
1. The
bibliography so far frequently mentioned that the runic memories are mostly
originated from Udvarhelyszék,
Transylvania.
But this prejudice belongs to the past. In Maros/Mures county, Transylvania,
mostly in Marosszék of
that time, more
then ten runic inscription memories were found in eight localities.
2. From
our above establishment logically follows the conclusion that the runic scripts
knowledge at its time was
far more
extensive. Perhaps the famous Turkologists, such as Németh Gyula will have
right... Who believed that the
"Szekler
writing" is generally Magyar, so could have also been known by other Magyar
conqueror tribes.
3. The
memories origin from Maros county goes back from the 20th to the 14th. century.
By our perception the
writings were
functioning continuously throughout centuries. It wasn't thought in schools but
being kept up by
traditions and folkloric
practices. And that's how it was inherited by us, just like the way we inherited
nation's
beautiful fairy
tales, legends, popular poetries etc...
4. By
representing the runic memories we already referred to the fact that it isn't
excluded the knowledge of more
than one runic
alphabet. Our conqueror ancestors' multi-linguistic knowledge is a known fact,
but its proof still
requires
further researches...
5. In
Maros/Mures county's runic memories there are inscriptions about objects, too,
which have a very large
significance.
We agree with Harmatta Jozsef's opinion: "...the Turk runic script's
spread, use and role, in every day
life, can only
be explained with the inscriptions of objects...".
We trust that the researches from now on will pay more attention to the worlds
object matters. "We have to
collect
everything" - as we would say together with the poet and writer Kányádi Sándor.
We know very well that
the nation that
forgets its past, or fakes that, can't have claim for the next-coming
centuries.
Essay by
Benkő Elek and Ráduly János.
The runic numbers:
The
Magyars didn't just have their own runic scripts for letters, but for numbers,
too.
In Hungary, the ranch-men, the herdsmen, the shepherds and the swineherds
counted their stock with the help
of the runic
sticks until the end of the 19th. century. They burned their master's name on
the wooden stick than they
engraved on
underneath it the actual number of animals driven out to the pasture. On the
stick the shepherds' figures
were running
from right to left. Carriers also used runic sticks pretty frequently, because
made easier for them to
keep their
loads in count.
All over the world, the runic stick was mainly used for memories or for keeping
record of loaned goods. They
engraved the
corresponding signs onto the runic stick than cut it in two halves, in length,
of which one half was
kept by the
loaner, and the other half given to the borrower. This way the stick excluded
any type of changes to be
by either side.
This way fights between loaner and borrower were prevented.
The signs of numbers are going back to the most ancient times, when for
calculations, people had only their
fingers. The
first four numbers mark the hand's fingers, number five originally booked as
follows for the five fingers:
" IIIIV
", of which, after all remained the " V ".
Number ten " X " came out from the crossing of both hand's thumbs, and
originally looked as such: " IIIIXIIII ".
In generally, the runic writing was well known between the Magyars, lived deep
inside the nation's
consciousness
which also seems to be proven by the old proverbs. The following idioms may also
be a good proof
for that:
"Lies
on stick" - it is said about the one that lies without care. In the old
times, probably some of the laws, that
were
controlling the public, were written with runic scripts.
"Has
a lot on his stick" - The person who is called such way, means that
owes a lot to others, and that he is the
owner of lots
of bad acts and many lies. Here, perhaps we should drag back the idiom's origin
to, on the stick
engraved but
not paid off debts...
"Talks
on stick" - Is the one who talks bad (lies...), the one who is looking
for arguments, a person who seeks for
trouble. The
idiom also quotes the era when people didn't write on paper yet, but engraved on
sticks.
"I
won't drink on anyone's faith" - I won't drink on anyone's pity, so I
won't write my own debt on anyone's
stick! - folk
song...
The specified memories' and examples' multitude proves that we have an ancient
writing, and that we Magyars
didn't arrive
into the Carpathian Basin like some kind of barbarian horde, as many believe so
and/or try to convince
others too,
about their false judgment and poor knowledge.
The runic script being used by us since ancient times, and we managed to save it
through medieval times until
today. And we
should do everything to make sure that our ancient culture's last bastion won't
be forgotten and
won't fall into
ruins over the 21st. century either.
Now I am going to say "Good bye!" to the reader with Fadrusz János's
words:
"I
look into the future with the eyes of prophecy... How perspective! I see those
times coming when in the
schools, our
ancestors' alphabet will be thought to our children. Our masters will renovate
the Hungarian style of
architecture
and then up front on the public buildings we'll read their regulation with runic
scripts... The strangers
will see our
ancestors most characteristic handwriting. And every Hungarian will proudly show
to strangers about
the runic
scripts, and explain to them with excitement that our ancestors used these signs
for writing, throughout
millenniums!
And this was and is ours' We maintained and we'll maintain it forever as Magyar
(Hungarian) for
ourselves..."
Some significant geographical place-names about our runic scripts:
1) Bologna (Italy)
2) Nicholsburg (Czech Republic)
3)
Constantinople (Turkey)
4) Nagyszentmiklós (Hungary)
5) Margit Island (Hungary)
6) Szarvas (Hungary)
7) Homokmégy-Halom (Hungary)
8)
Felsőszemeréd
9) Tordas (Transylvania)
10) Tatárlaka (Transylvania)
Szekler land:
11) Bögöz (Transylvania)
12) Énlaka (Transylvania)
13) Dálnok (Transylvania)
14) Gelence (Transylvania)
15) Székelyderzs (Transylvania)
16) Székelydálya (Transylvania)
17) Homoródkarácsonyfalva (Transylvania)
18) Vargyas (Transylvania)
19) Kilyén (Transylvania)
20 Csíkszentmiklós (Transylvania)
21) Bonyha (Transylvania)
22) Berekeresztúr (Transylvania)
23) Kibéd (Transylvania)
24) Szolokma (Transylvania)
25) Erdőszentgyörgy (Transylvania)
26) Makfalva (Transylvania)
27) Vadasd (Transylvania)
28) Csejd (Transylvania)
29) Csíkszentmárton (Transylvania)
30) Csíkszentmihály (Transylvania)
The by us spread runic characters:
The text by the given sources was written, matched and edited by:
Sources:
- Ruffy Péter: Bujdosó nyelvemlékeink, Móra Ferenc Könyvkiadó, 1977.
- Kéki Béla: Az írás története, Gondolat Könyvkiadó, 1971.
- Magyar Fórum hetilap.
- Magyar Út Alapítvány.
- Sebestyén Gyula: A magyar rovásírás hiteles emlékei, Akadémia, 1915.
- Varga Domokos: A mogyeriektől mohácsig, Tankönyvkiadó, Budapest, 1992.
- Csorba Csaba: Árpád jöve magyar néppel, Helikon Könyvkiadó, 1996.
- História történalmi folyóirat, 1996 és 1997.
- A honfoglaló magyarság. |